The tone is typical to EMG’s and has that mid range clarity they are known for. The Pickups are EMGHZ soap bars and active. Well balanced both sitting and strapped on standing, and not heavy.
It’s sleek, clean and contemporary with a nod to Rickenbacker basses of years past. Not arched like a carved jazz guitar top, but a gentle arch across the entire body, giving the bass a thinner edge thickness and contour. This one is all black with white binding around the front of the arched top. Both of these basses reflect this trend in appearance, performance and mainly value for your dollar.įirst up: the T54, a 4-string model with a modern styling and some nice features. This includes acoustic instruments too! The playing field has been leveled another notch. You would be surprised how FEW hours of hand work is in any high end, cherished well known production instrument, dare I say shocked….well under 10 hours in most cases. Labor is the expensive part of making an instrument. Manufacturing has come a long way with the advent of CNC milling, quality control, standardization of specification and the like, to bring down prices and lift quality. These instruments, with a little extra TLC in the set up department, will prove to be good basses and an excellent buy for the price. We all remember those heavy, poorly balanced, muddy sounding and no frills designs from overseas companies that flooded the music stores vying for your hard earned summer money. It has been many a year since I even glanced at a bass in this category and a lot has changed for the better. For an entry level intermediate basses, I was truly impressed with the features, fit and finish, and the sound. These basses are not the Cort basses of years past you may remember when you went shopping for one of your early basses. This review will cover two Cort basses, the T54, and the Curbow 52.
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